ABCDV网站

 找回密码
 立即注册

QQ登录

只需一步,快速开始

查看: 2246|回复: 6

【原创】印刷及平面设计相关的专业复习资料

[复制链接]
发表于 2005-10-13 14:38:26 | 显示全部楼层 |阅读模式
审核通过了,我来履行诺言了, ;) 不过前段时间天天公证处的跑,有点忙,所以拖到现在。审核的老师还是相当专业的说,所以,复习的时候还是要全面一点,准备要充分一点!

我的专业名为“印(刷)前图文信息处理”,英文翻译为Graphic Arts。和印刷有关,和平面也有关,因此我学的专业性的东西很杂。
我是用英文审核的,复习资料都是英文的。

先罗列一些专业词汇
additive primary filter 加色法原色滤色片
alternative dot shape 变化的网点形状
analogous 类似色
antinalation 防光晕层
Arc or quartz light 晒版灯
array 阵列
average screen 中值网屏
base material 片基
basic color combination 颜色匹配的基本原则
bind 装订
bleed 出血
camera department 照相车间
CIP3 原稿、原稿准备、印前三种形式融合的一种形式
clear 透明
clear area 空白区、透明区
collate=place in order 配页
color bar 色标
color correction 色彩校正
color gamut 色域
color scheme 颜色匹配方法
colorscope 色彩范围
complimentary 互补色
continous tone copy 连续调原稿
conventional screen 常规网屏
cover 封面,包封
crystal of silver salt 银盐晶体
cyan 青
density 密度
densitometer 密度计
develop 显影
developer 显影剂
digital press=digial print 数字印刷
direct screening 直接加网
dot etching 网点腐蚀
dot gain 网点扩大
dot patten=shape 网点形状
doutone 三色调
drier 干燥剂
duochrome 双彩色
emulsion 乳剂
engraver 雕刻字
film 菲林,胶片
filter 滤镜
flexo printing 柔性印刷
FM dots 调频网
fold 折页
format 版式
four major printing processes 四种主要印刷方式
 楼主| 发表于 2005-10-13 14:53:52 | 显示全部楼层
gelatin 明胶
golden rectangle 黄金分割
goldenred=mask 红膜、蒙版
grainy 网点扩大
gravure 凹印,雕刻
halftone copy 半色调原稿
halftone scale 灰度层次、网目调单元层次
high contrast 高反差
highlight 亮调
hybrid screening 混合网屏
imagesetter 激光照排机
imposition 排页、拼大版
incident light 入射光
indirect color separation 间接加网分色
ink 油墨
intermediate color 间色
layout 版式设计
letter press 凸版印刷/文字
light-sensitive 感光性
line copy 线条稿
magenta 品红
manuscript 手稿
midtone 中间调
moire pattern 莫尔纹,龟纹
negative 阴片、负片
offset lithography 平版印刷
opacity 阻光率,不透明度
OPI=image substitution 图像替代技术
origianl 原稿
orthochromatic 正色片
overlap 叠印,套印
platemaking 制版
pigment 染料
pigment primary color 色料三原色
positive 阳片
powerless etch 无粉腐蚀
prepress 印前处理
printed piece 印件
printing method 印刷方式
proof 打样
proofer 打样机
protective coating 保护层
xenon lamp 氙灯
resolution 分辨率
reversing the type=reversing 反白字
RIP=raster image processor 解释器
scale 尺寸稳定
screen 丝网
secondary color 二次色
secondary exposure 二次曝光
回复 支持 反对

使用道具 举报

 楼主| 发表于 2005-10-13 14:58:48 | 显示全部楼层
serif 衬线
shade/shadow 暗调
shoot 拍照
signature 书贴
solid/clear areas 实地/透明区域
spine allowance 书脊宽度
step 阶调
stochastic dot 调频网点
stripping 拼版
subtractive primary filter 减色法原色滤色片
tint 淡调,亮调
transitional 过渡的
translucent 半透明的
transmittance 透光率
transparent 透明度
trapping 陷印 补漏白
vehicle 连接料
vector image 矢量图
回复 支持 反对

使用道具 举报

 楼主| 发表于 2005-10-13 15:02:26 | 显示全部楼层
Druckfarblehre 印刷色彩学
Three Pigment Primary Colors
The three colors, Cyan, Magenta, and Yellow are called the subtractive primary colors, because each represents the two additive primaries left after one primary has been subtracted from white light. Cyan, magenta and yellow are the colors of process ink and used for process color reproduction.

Secondary Colors
C+M=B Cyan mixed with Magenta will produce a Dark Blue color.
C+Y=G Cyan and yellow together will result in Green.
M+Y=R Magenta add in yellow will produce Red.
R255+G255+B255=W R0+G0+B0=BK

The Property of Color
Hue: A particular gradation of color; a shade or tint.
Value: The relative darkness or lightness of a color.
Saturation: Vividness of hue; degree of difference from a gray of the same lightness or brightness.

Color Separation
To print a full color piece as the eye sees it, each color must be filtered out. Additive primary filters are used. They break white light into the primary colors, red, green and blue. When added together, these three colors have the potential of creating and color visible to the eye.
When you place a red filter over a camera lens, you will get a negative record of all the red light reflected from the original. The result is a red filter separation negative in which the clear areas are a true record of the other two additive primary colors (blue and green). When blue and green light are mixed, a color called cyan results. Therefore, the record made with a red filter is the cyan printer to be used on the printing press.
In the same way, a green filter will yield a printer that records the additive primary colors red and blue, then they are mixed and result magenta.
So, using blue filter, a yellow printer is made.

The simplest method of color separation is called direct screening. Separation halftones are made directly from the original copy with masking.
A second method, indirect color separation, allows more freedom in making separation but also requires more sheets of film. It is a complex operation.
One of the easiest ways to simplify color separation is to eliminate the masking

Color Correction
Theoretically, when the three printers are combined and printed, a faithful color reproduction should result. Unfortunately that doesn’t happen. It is impossible to produce inks that are 100% pure color. In order to compensate for these ink deficiencies, a process called color correction is used.
回复 支持 反对

使用道具 举报

 楼主| 发表于 2005-10-13 15:03:16 | 显示全部楼层
Digital Printing / Press 数字印刷
The computer-controlled printing processes are being uses for niche market applications
Digital printing is an evolving technology that is in its infancy. It is the evolving integration link in the print manufacturing process, tying prepress functions directly into the press and bindery. Digital printing permits improvements in productivity and can be the basis for the creation of new and unique ink-on-paper products that meet the developing marketplace requirements for tailored and personalized products.
Application field: Short-run market, Print on demand
xerography
A dry photographic or photocopying process in which a negative image formed by a resinous powder on an electrically charged plate is electrically transferred to and thermally fixed as positive on a paper or other copying surface.
It is the most widely used of the plateless printing technologies.
CTP
Computer to Plate
Computer to Print / Paper
Computer to Plate
Computer to Press
One of the more popular digital production workflows in use today is the Computer-to-Plate workflow. After imposition, different from usual printing methods, it wouldn’t output films, directly exposed into a printable plate which is made of heat-sensitive materials. After exposed by infrared ray, the texts and images are transferred on the plate. Then It can be directly printed. It works more efficiently and it can save time and cost.
Waterless Printing
Waterless printing utilizes a plate with an ink-repelling silicone coating. This coating is removed in the image area to create a cell with silicone walls and an ink attracting photopolymer on the bottom of the cell. The image area that carries the ink is recessed and is similar to a gravure or engraved cell. Because the non-image area of the plate is a silicone layer and the ink is carries in a cell, the process is sometimes characterized as silicone intaglio printing.
回复 支持 反对

使用道具 举报

 楼主| 发表于 2005-10-13 15:04:04 | 显示全部楼层
Printing Method
Four major printing processes
Letterpress
Offset press / Lithography
Gravure
Screening press

Gravure / Intaglio Printing
In gravure printing, ink is transferred from a lowered surface to paper. The image area of a gravure plate is cut below or into the surface of the plate.
The entire surface of the plate is inked and then wiped clean. This leaves ink in the lowered areas of the plate. Paper is then pressed against the plate and ink transfers to it.
Paper is flexible. It can bend and stretch to get into the lowered areas of a gravure plate.
Gravure Plate Making
The first step in rotogravure is to expose a sheet of carbon tissue through a special screen and through line and continuous tone film positives. Carbon tissue is a coating of a light-sensitive emulsion on a paper backing sheet. Both type matter and illustrations are screened.
Light striking the emulsion of the carbon tissue causes it to harden. The degree of hardening depends upon the intensity of the light reaching the emulsion. The emulsion directly below the highlight areas becomes harder than the emulsion below middletone areas. Relatively little light passes through the shadow areas of the film and, therefore, the carbon tissue emulsion in these areas is relatively soft.
After exposure, the carbon tissue is adhered to copper-plated cylinder. After the tissue is adhered, the paper backing is removed and the unhardened gelatin emulsion areas are washed away with hot water.
The cylinder is then placed in an etching bath. The acid must penetrate the gelatin before it can etch the cylinder. Because the gelatin is softest in the shadow areas, the acid penetrates to the surface of the cylinder in these areas rather quickly. Gelatin in the highlight areas is rather hard, however, and the acid penetrates the highlight areas much more slowly.
The shadow areas are etched the deepest because they began to be etched first. Highlight areas are shallowest because they were etched last. Middletones are not as deep as the shadows, but they are deeper than the highlights.
The depth of the wells formed during etching determines the amount of ink each areas of the plate can hold. It is the ink variation that creates different tones in the printed image.
Letterpress
When ink is applied to raised surface and paper is pressed against the inked surface the ink is transferred to the paper. Relief and letterpress are terms that describe printing methods that use this principle. It transfers ink form a raised surface to paper.
Rubber stamp prints as this way.
On the plate, the letters should be backwards, then when transfer into papers, the letters would be “right reading”

Screen-process Printing
This printing method is to print by forcing ink through openings or holes in a stencil. After paper is placed under the printing screen, ink with a paint-like consistency is applied to the top of the screen. Finally, the ink is spread and forced through stencil openings onto the paper below the screen. This is done by pulling a rubber squeegee over the screen.
Screen Printing Plate making
Direct Photographic Stencils are prepared directly on the screen fabric. The screen is coated with a light-sensitive emulsion, then it is exposed to a source of light trough a film positive. Light passing through the clear areas of the film positive hardens the emulsion below. Because no light passes through the opaque areas of the positive, the emulsion behind these areas remains soft. After the stencil is exposed, the unhardened areas of the emulsion are washed away with water and form the openings in the stencil. Coat the screen under safelight conditions. Use a stiff piece to spread a thin, even coating of emulsion across the underside of the screen. After the emulsion dries, the screen is ready to be exposed. The sensitized screen is exposed through a film positive to a strong source of the light. During exposure the film positive and screen must remain in the tight contact. Then remove the unhardened emulsion representing the area to be printed by washing the screen under water until the image areas are clear. It persists about one minute.
Indirect Photographic Stencils are prepared by contact printing through films positive onto light-sensitive stencil materials. After the stencil is processed, it is adhered to the screen with water. A positive transparency is required to produce a photographic stencil. The image areas must be completely opaque. Non-image areas may be transparent or translucent. Positives may be prepared by contract printing a negative on process film. The stencil material is a light-sensitive emulsion on a plastic backing. A platemaker can be used to expose the stencil. A platemaker includes a vacuum frame for holding the film positive and stencil material in tight contact. Place the photographic stencil material, emulsion side down, on the rubber blanket of the vacuum frame. Place the film positive, emulsion side down, on the top of the stencil material. Light passing through the clear areas of the film positive will harden the stencil’s emulsion. Because no light passes through the opaque areas of the positive, the emulsion behind these areas will remain soft. The stencil is processed in a special developer. Remove the exposed stencil and place it, emulsion side up, into the tray of developer. Remove the stencil from the developer after about one minute. Then wash until the images appear. Adhere the photographic stencil to the screen immediately after washing.

Offset Press / Lithography
This kind of printing is based on the principle that grease and water do not mix.
The process works this way. First, a greasy image is placed on a flat plate. Usually the image may be placed on the plate photographically. Next, water is applied to the plate. The water will cover the non-image are of the plate. Water will be repelled from the image area because water and grease do not mix. The entire plate is then coated with ink. Ink is a greasy substance and adheres to the greasy image. Ink is repelled from the wet areas of the plate because water and grease do not mix. Paper is then pressed against the surface of the plate and the inked image is transferred to the paper. The printing image is formed chemically by making some areas of the plate grease receptive and water repellent, while others remain water receptive and grease repellent.
To minimize wear the image on the plate is first transferred to a rubber blanket. The paper does not make contact with the printing plate.
回复 支持 反对

使用道具 举报

 楼主| 发表于 2005-10-13 15:06:26 | 显示全部楼层
今天先发这些,有空再回来补充
回复 支持 反对

使用道具 举报

您需要登录后才可以回帖 登录 | 立即注册

本版积分规则

小黑屋|手机版|Archiver|ABCDV网站,版权所有:北京佳景时代文化有限公司 ( 京ICP备19037940号-1 |||| 京公网安备11010802012322 |||| 工信查询网址: https://www.beian.miit.gov.cn )

GMT+8, 2025-12-20 01:47 , Processed in 0.072953 second(s), 15 queries , Gzip On.

Powered by Discuz! X3.4

Copyright © 2001-2021, Tencent Cloud.

快速回复 返回顶部 返回列表